One of the biggest changes that had to be made when adapting The Return of the King was regarding the structure of the story itself. The four hobbits then organize a revolution of sorts against the invaders that have claimed their land at the behest of the wizard Saruman. Unlike the film, where their home is as peaceful and happy as they left it, the book shows that the Shire was not immune to war and industrialization. The most famous sequence not to make it to the final film, however, is the Scouring of the Shire.Īs one of the final chapters of the book, it details Frodo, Sam, Pippin and Merry’s arrival home to the Shire. Another notable exclusion is the Rohirrim’s encounters with the Drúedain, a gruff wood-dwelling people, on the road to Gondor. The actor Ian Hughes was supposedly cast as the character, but his role was reduced in the editing process, which lead to the character being renamed to Irolas in the final cut of the film. One key character that is omitted from the film is a Gondorian Citadel Guard named Beregond, who befriends Pippin and Gandalf and plays a crucial role in stopping Denethor’s madness from claiming Faramir’s life. This is exceedingly true with The Return of the King, as there are many significant characters, moments and storylines that are omitted from the film entirely. There are substantial differences between all the Lord of the Rings movies and their written counterparts. They do this by striking a delicate balance between an utter faithfulness to the material and also an understanding that some things need to be altered when the medium of the story changes. Jackson’s versions of The Lord of the Rings are considered to be one of the prime examples of how to adapt a book to screen.
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